Performance dates
05 October - 28 November 2019
24 reviews
Run time: To be confirmed.
Includes interval
Director Emma Rice makes her ENO debut in a glitzy production that showcases her talents for theatrical spectacle and humour.
Orpheus in the Underworld transports us to a hedonistic, party-filled Underworld.
Eurydice is fooled into taking Pluto, ruler of the Underworld, as her lover after her new marriage to Orpheus is broken through tragedy. Orpheus must try to win his wife back, but to achieve the impossible he needs the help of the glamorous, conceited but rather bored gods…
Offenbach’s riotous operetta features the popular ‘Can-can’. Ed Lyon and Mary Bevan are Orpheus and Eurydice with Alan Oke as John Styx and Sir Willard White as Jupiter. Joining them are ENO Harewood Artists Alex Otterburn and Idunnu Münch.
Former ENO Music Director Sian Edwards (1993-95) returns to conduct.
In association with Wise Children.
Supported by George & Patti White and a syndicate of donors.
PLEASE NOTE: Sung in English with surtitled for sung words displayed above the stage. The performance on Friday 11 October will NOT HAVE SURTITLES.
Beautiful setting, great choreography and powerful singing. Marvellous!
Absolutely loved the performance - would definitely recommend.
I thought it was absolutely MARVELOUS, WONDERFUL and STUPENDOUS. Congratulations to the whole cast, backstage crew and fabulous orchestra. More of these productions please!!!
Excellent night of wonderful music & great fun!
The performance was fantastic and smack bang up-to-date..the caption board was a usefull bonus appart from when I moved seats to the back row of the upper circle where I couldn,t see it.i moved seats because I have long legs and became uncomfortable.i thoroughly enjoyed it all in your wonderfull theatre.1st visit to this theatre.
I preferred the classical production. The second act was excellent but the final act contained far too much gratuitous sex and violence which detracted ffrom the music. The orhestra was excellent and Eurydice outstanding.
The music was beautiful, and the orchestra sounded amazing. The costumes were surprising, the scenography was interesting sometimes. The choir sounded fascinating. However, the idea and changed libretto appeared to be dissappointing and left us dissatisfied. Some parts and jokes looked more like a trivial stand-up show rather than operetta. In general, such modern interpretation of the original story is not appropriate and does not fit magnificent music.
Excellent production, made the operetta fun and up to-date! Would definitely recommend both for opera lovers and theatre enthusiasts looking for a good night out.
Great 1st experience however we felt the view was restricted from view and the production quite cheap, the performers though were all excellent!!
Why change King of the Beotians to King of Poland?
Shockingly brilliant, modern, funny, visually stimulating adaptation of Orpheus. Will be recommending it to everyone possible
Very imaginative and unique!
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